B-MOVIE OF THE MONTH - THE WILLIES (1990)

A BIG favorite around here, a total B-movie horror anthology classic. Sean Astin and his pals are sitting around a campfire and start to tell each other stories that grossly creep them out. After starting off with several short doosies, the two main stories follow - one about a monster inside the elementary school (with Kathleen Freeman & James Karen.) And the tour de force - the roughly 40 minute long Fly Boy story which is amazing and features a cameo by none other than Clu Gallager. Yes, this movie will certainly give you it's title, But it's does so in a such a fun and not taking ourselves too seriously way, you can't help but love The Willies. Streams on Tubi and is rated PG-13 so older kids will dig this one big time. 2.75 stars/2.75

Saturday, October 5, 2024

HORROR REPOST WEEK CONCLUDES WITH "WICKED, WICKED" (1973) THAT'S THE TICKET - SAN DIEGO 1972 MEETS PHANTOM OF THE OPERA AND IT'S IN 'DUO-VISION'....DUO-WHAT?!

This man seriously needs to get tested.

Having carved it's own unique niche almost fifty years ago, Wicked Wicked remains the only film ever produced in Duo-Vision. Which may be a good thing. Some bloke got the bright idea to do a whole movie in split screen and call it Duo-Vision. That it turned out to be for a low-budget drive-in horror flick is only to our benefit as B-movie fans. And it's not a bad flick. 

A serial killer is on the loose in a seaside resort and it's San Diego 1972. Tiffany Bolling, one of the most charismatic starlets of B-cinema, shows off her singing skills as the hotel's entertainer and she's one of the main reasons to see this freaky flick. And to it's credit the split screen editing is quite good as is the location and a little gore thrown in for good measure. 

On the other hand, the film's music, played by a single organist is awful. One can understand what they were trying for but it's the wrong organist and a bad score. Also, legendary 60's actor Arthur O Connell is badly miscast here as the hotel's custodian and looks like he'd rather be somewhere else. Special effects are cheesy but somehow blend well with the rest. While I can't really explain why, somehow the flick has a certain patina to it that works. Viva La Wicked Wicked! 2.75 stars/2.75 Only available on DVD thru Warner Archives. 


WE ALSO DIG...
TIMECODE (2000)
How 'bout FOUR screens at once? Mike Figgis (Leaving Las Vegas) uses four digital cameras at once and charts his story using music staff paper to create a bold experimental film. Since it is physically impossible for every viewer to look at each screen at the same given moment, in effect he created the only movie that is a completely different movie for each person but still the same movie. Ya dig? A great cast of A-listers and it's all improv! Highly recommend. 3.0 stars/5

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